Favorites

A shelf of favorite manga, anime, games, and music I keep returning to.

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manga

Skip and Loafer (スキップとローファー)

Misaki Takamatsu

Every time I reread this, I’m reminded of how rare it is for a story to treat its characters with such complete kindness. It’s my absolute comfort read because nobody changes overnight; their growth is slow, quiet, and feels so honest. It always makes me feel like it’s okay to be a little awkward, as long as we keep trying to connect.

manga

Kemutai Hanashi (煙たい話)

Fumiya Hayashi

There’s this beautiful, hazy atmosphere to the way their relationship develops. I love how it doesn’t rush to label what they are to each other. It just sits with the quiet comfort of sharing an apartment, choosing to live together, and letting the days pass without needing the outside world’s approval. Beside that, solving the lingering feelings having in each character is a beautiful thing to happen, and I appreciate the writing in that sense.

manga

I Cannot Reach You (君には届かない。)

Mika

What strikes me most here is how much weight is carried by the things they don’t say. They are childhood friends, so they are incredibly close, yet communicating their actual feelings is the hardest part. I love that the story respects that difficulty; it makes the small, tender moments feel so earned and fragile.

manga

Toilet-bound Hanako-kun (地縛少年花子くん)

AidaIro

The artwork is what drew me in, like stepping into a fairytale, but what kept me was the sadness of the story. Beneath the playful school ghost rumors, there is this heavy, lingering feeling of regret, mortality, and wanting to protect someone even when you know your time is running out.

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The lights that are (あまたある光)

hibi no anz (日々の杏)

Grief is so hard to capture without feeling performative, but this story hits me right in the chest. Watching the sister slowly piece together the life of her brother after his sudden death is incredibly painful but so tender. It reminded me of how we only ever see fragments of the people we love.

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School of Suzume (すずめの学校)

Machiko Kyo (今日マチ子)

This really took me back to that anxiety of being young, where every exam and expectation feels like the end of the world. It captures the transition from childhood to junior high with so much empathy, showing the small, secret rebellions of girls just trying to stand on their own feet.

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Handkerchief in hand, waiting for a time machine, silent through the final scene (ハンケチーフ持って、タイムマシーン待って、ラストシーン黙って)

Sagan Sagan (佐岸左岸)

I love Sagan Sagan’s art; there’s a soft, delicate texture that fits the story perfectly. It feels like a walk through nostalgia, looking at the connections we form that shape who we are, even if they only last for a single season.

manga

Hirayasumi (ひらやすみ)

Keigo Shinzō (真造圭伍)

This is like a warm cup of tea on a rainy afternoon. Following Hiro’s slow, aimless days in Tokyo makes me want to slow down my own life. It finds joy in ordinary things like eating croquettes, chatting with neighbors, and sitting on the veranda. It reminds me that you don't need a grand purpose to live a good life.

manga

Stargazing Dog (星守る犬)

Takashi Murakami (村上たかし)

I don’t think I’ve ever cried as hard at a manga as I did with this one. It’s a devastating look at loneliness, but the dog Happy’s unwavering, pure devotion to his owner is what stays with me. It’s a painful read, but it makes me want to hold my own loved ones a little closer.

manga

Solanin (ソラニン)

Inio Asano (浅野いにお)

This was my bible during that phase of transitioning from school to being an adult, when you're just drifting and terrified of the future. Asano Inio captures the confusing ache of wanting to make something meaningful while struggling to pay rent. The band, the grief, the messy relationships; it all feels so real and close to home.

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Umibe no Stove (うみべのストーブ 大白小蟹短編集)

Oshiro Kogani (大白小蟹)

These short stories feel like poetry. They capture those small, fleeting shifts in relationships, like the moment you realize you’re drifting apart, or the warmth of a shared room. The title story about a stove witnessing a breakup is incredibly creative and moving.

manga

Even if you shine, even if you don’t (キラキラしても、しなくても)

Sadaji Koike (小池定路)

I really love how grounded this collection feels. It follows high school boys without the usual dramatic tropes, focusing instead on the fragile moments of adolescence and friendship. It’s a bit melancholy but feels incredibly honest.

manga

One Room Angel (ワンルームエンジェル)

Harada (はらだ)

A unique story that balances crude humor with heavy emotional weight. The relationship between a broken man and a cynical angel is written with so much heart. It's a story about healing from trauma in the most unexpected way, and the ending always gets to me.

manga

Erased (僕だけがいない街)

Kei Sanbe (三部けい)

While the mystery and time-travel keep you hooked, the heart of the story is Satoru’s drive to save Hinazuki. That scene of her seeing a warm breakfast for the first time always stays with me. It’s a thriller, but at its core, it’s about how simple kindness can save a life.

manga

Summer Ghost (サマーゴースト)

Yoshi Inomi (井ノ巳吉), loundraw, Adachi Hirotaka (Otsuichi) (安達寛高(乙一))

It’s amazing how much emotion is packed into such a short story. The manga captures the film’s reflective mood perfectly. It deals with heavy themes of suicide and despair, but leaves you with a fragile, precious feeling of wanting to live.

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Pajama Gohan (ぱじゃまご飯)

Megumi Watanabe (わたなべ萌)

There’s something so comforting about Pajama Gohan. It follows a freelance guy who works from home and cooks simple, satisfying comfort meals while staying in his pajamas. Reading it feels like a lazy Sunday morning, making me want to whip up something warm and just enjoy being cozy.

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Tanaka-kun is Always Listless (田中くんはいつもけだるげ)

Nozomi Uda

Uda Nozomi’s clean layouts and thin, delicate lines fit Tanaka's lethargy perfectly. The comedy never feels rushed, choosing instead to drift through slow school days. I love how it celebrates the ease of a friendship where you can sit together in silence without any pressure.

manga

Minato's Laundromat (みなと商事コインランドリー)

Yuzu Tsubaki / Sawa Kanzume

There is a sun-bleached, nostalgic warmth to this run-down laundromat. While the age-gap romance has plenty of playful bickering, what really holds the story together is its emotional honesty. Akira's fear of growing up and facing adulthood gets constantly challenged by Shintarou's absolute, unswerving clarity. It feels like a lazy summer afternoon where the heat refuses to fade.

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Love Bullet (ラブ・バレット)

inee

On the surface, it’s a high-energy action story about Cupids using guns instead of bows to shoot bullets of love. But beneath the stylish shipping wars and shootout scenes, there is a real, lingering sadness about regret and the memories of their past human lives. It does a great job of matching its stylish look with genuine emotional weight.

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Sweet, Spicy, and Sour (甘くて辛くて酸っぱい)

Hasha (はしゃ)

Following three thirty-something women sharing a second house in the countryside feels like taking a deep breath. I love how the simple routines of cooking and eating together mirror their personal lives, where sweetness tempers acidity and a little spice brings warmth to cold days. It captures the comfort of female friendship and the slow, unhurried process of finding yourself in your thirties.

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Okaeri Aureole (おかえりオーレオール)

Takatsu (高津) - former pen name of Takamatsu-sensei

There is a real patience to how their childhood bond shifts into something heavier and harder to define. It captures that boundary where a shared history becomes both a comfort and a barrier. I love how it trusts small shifts in posture and the silence between their words to show the depth of their connection.

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At the end of the mourning period (四十九日のお終いに 田沼朝作品集)

Asa Tanuma (田沼朝)

Reading this collection feels like finding a warm pocket on a cold evening. Tanuma Asa writes about human connections, like friendships, grief, and the subtle ways we lean on each other, with an incredibly down-to-earth touch. The dynamics between characters are complex and human, lingering in your head long after you close the book.

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Stardust Family (星屑家族)

Aki Horoyama (幌山あき)

Underneath its sterile, near-future SF premise of child welfare evaluation, it is a deeply human exploration of what it means to choose to be a family. It doesn't look away from the messy, painful realities of parenthood, but it handles the characters' vulnerabilities with incredible care. The final chapters are profoundly moving.

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Alice, Everywhere (ありす、宇宙までも)

Kiko Urino (売野機子)

A story about semilingualism, isolation, and wanting to reach the stars. The bond between Alice and the class genius, Rui, is fragile but incredibly fierce. Urino Kiko does a wonderful job capturing the sensory side of language (and the painful lack of it), turning the vast, cold cosmos into a place of ultimate freedom and connection.

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My Broken Mariko (マイ・ブロークン・マリコ)

Waka Hirako (平庫ワカ)

It is incredibly loud, messy, and painful in a way that feels completely real. Tomoyo's grief isn't quiet or beautiful; she is angry, smoking, cursing, and stealing her best friend's ashes to save her from an abusive family. It’s a short, intense read that captures how complicated suicide and love can be, and it leaves a heavy, lingering ache.

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The Credits Roll into the Sea (海が走るエンドロール)

John Tarachine (たらちねジョン)

Starting art school at sixty-five to learn filmmaking is such a beautiful, inspiring premise, but what makes this special is how it treats her ambition with absolute seriousness. It captures that terrifying, electric feeling of realizing you want to create something, and how that desire doesn't care about your age or what stage of life you are in.